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Max Stern (composer)
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Max Stern (composer) : ウィキペディア英語版
Max Stern (composer)

Max Stern ((ヘブライ語:מקס שטרן); born March 31, 1947 in Valley Stream, New York) is a composer,〔()''The Jerusalem Post''〕 critic, double-bassist, conductor and educator.
He has created a rich genre of biblical compositions blending East and West in contemporary and traditional genres.
==Musical education==
〔(), ''Israel Music Institute'', Max Stern.〕 Stern sang in the synagogue as a boy and began music in the public schools, playing tuba and contrabass in bands, orchestras, shows etc. In high school he studied contrabass with Frederick Zimmermann, (NYC,1963–65), and participated in chamber music workshops led by the Budapest String Quartet at SUNY at Buffalo (1963–64).
Composition- Samuel Adler, theory- Robert Gauldin, orchestration- Bernard Rogers, contrabass-Oscar Zimmerman, voice classes of Julius Huehn at the Eastman School of Music 〔() University of Rochester,הפועל זונה Class Notes.〕(BM, Rochester, New York 1969); privately-Hall Overton (NYC, 1966 & 67).
Further composition- theoretical studies with Alexander Goehr, double bass w. Gary Karr at Yale School of Music, New Haven (MM, 1970).
Addition Studies at the First International Kodaly Seminar, Kesckemet, Hungary(1970) and at the Kodaly Musical Training Institute, Wellesley, Mass., pedagogy and choral conducting - Peter Erdei, solfege and folkmusic research with Kati Komlos(1970–71).
Later, he studied Ethnomusicology with Johanna Spector at the Jewish Theological Seminary, NYC (1973–75), taking courses in Anthropology, and the Middle East at Columbia University, sociology and psychology of education at Hunter College, contemporary literature and ideas in literature at Queens College (1965, 71, 74).
He received a Doctorate of Musical Arts from the University of Colorado, Bouilder, 1989, where he worked with William Kearns (American Music), Richard Toensing (Atonal music), Luis Gonzalez and Charles Eakin(composition) and Karl Kroeger(bibliography) writing dissertations on “Indeterminacy and Improvisation” and “Henrich Schutz: Psalm Settings”.
He participated in masterclasses at the Vienna Music Seminar in conducting with Erwin Acel (summer, 1997 & 98), and at Pro Mundo Uno, Tivoli with Kurt Redel (summer, 1997).

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